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Tag-Archive for » Josh Neu face «
St. Patrick’s Day at UD
Patience Is A Virtue
Lux
Lux is better than you–it is meta. Lux (light). Lighthousing in the Arizonian darkness. It’s a beacon of fresh crunchy local art, culture, and goods. This beacon is home to a fleet of ipod computers (called macs or ipads or imacs or something) a place of unbridled free thought for the rare hipster-sapien, and the best damn iced-mocha west of the Mississippi!
Another great reason to keep your Facebook
US Bishops Hosting a Facebook Pope Contest
WASHINGTON, D.C., OCT. 6, 2010 (Zenit.org).- Facebook users who “like” the profile page of the United States Conference of Catholic Bishops will get a chance to show off what they know about Benedict XVI and win a prize.
The USCCB is sponsoring “Pope Culture Week” on Facebook, starting next Monday, Oct. 11, and running through Friday, Oct. 15.
Each day, there will be a question about the life and teachings of the Pope. The first to provide the correct answer as a comment will receive a free copy of “Benedict XVI: Essays and Reflections on His Papacy.”
Mercy Sister Mary Ann Walsh, director of media relations for the USCCB and editor of the book, reflected: “We think this is a great opportunity to engage our Facebook fans while promoting literacy about the Pope by asking questions about his life.”
http://www.zenit.org/article-30571?l=english
Thanks
Special thanks to Chris Brown for designing the new header to A Draught of Vintage.
Special thank to John Bloch for putting it up.
If you have any comments or feedback about the site overall I’d love to hear from you.
Chartres Pilgrimage 2011
It’s time to start thinking about the who what when and how of Chartres 2011.
The Pilgrimage, I believe takes place three days prior to Pentecost Sunday (June 12 this year).
We should start first and foremost by gauging interest.
If you are interested in joining in on the adventure, then comment below or contact me.
Nothing definite yet, just looking to see who is interested, that’s all.

Chartres Cathedral
Au revoir,
~Peter Bloch
p.s. – Can’t wait to see Fontgombault for the first time!
On the significance of natural rights
The best thing about training for a marathon: lots and lots of time for thinking.
This is something I wrote up for a colleague after a discussion on the significance of natural rights.
Simone Weil claims that on a desert island with no possibility of anyone coming around, a man still has obligations, though he has no rights.
My colleague and I seemed to agree that rights still exist on that desert island, but he claimed that they lack significance. I was at that time unable to formulate fully my thoughts, but I had an intuition that there was something missing.
I now have a definition of natural rights which supports my contention that, leaving obligations aside for now, on a desert island a man has significant rights.
Natural rights are claims to an object or state of affairs that contain or entail responsibilities.
Responsibilities are distinct from duties or obligations in that the imply a truly free choice in their assumption (as opposed to their execution). Duties and obligations can be responsibilities, but not all responsibilities can be duties or obligations. Duties and obligations derive their compulsive power from external sources. Responsibilities, as distinct from duties or obligations, derive their compulsive power from the free choice of the individual. For example, a mother has a duty or obligation insofar as she has stepped into the role of motherhood to protect her children. A mother may assume the responsibility of loving her children. The duty to protect derives its compulsive power from the role of motherhood; the responsibility to love derives its compulsive power from the commitment of the individual. The individual mother may in fact discharge her duty as an accident of fulfilling her responsibility. If the individual mother chooses not to assume the responsibility of loving her children, she is still bound to protect her children because she is a mother, i.e. she at the very least owes her children protection.
Natural rights contain responsibilities of this character and it is these responsibilities that supply their significance even in a vacuum of polity. While I do see that natural rights derive much of their significance from their practical application in properly ordering a body politic, I contend that they have an inherent significance in properly ordering the soul (or character) of an individual towards that individual’s ultimate end. Of course in a world suddenly devoid of others, the practical application will cease and the significance supplied thereof will evaporate. In that devoid world, however, the inherent significance of natural rights (and their entailed responsibilities) on the formation and flourishing of the human soul will remain.
Take, for example, the natural right to life. On a lonesome island, the practical significance of that right no longer applies since it is an impossibility that I take another’s life or that another takes mine. But on that lonesome island, recognizing the natural right to life and reflecting on its responsibilities is a good in itself in that is enables me to gain ground towards my end as a flourishing human being. Recognizing the natural right to life, I think, might entail recognizing that I exist and feel poignantly the compulsion to continue existing, that all of this is utterly independent of any specific contingencies of spatial or temporal location, and finally that there can be no relief from this right without the extermination of my identity. The responsibilities contained in this right, I think, are to flourish in my existence as much as I am able, to seek an understanding of the causes and purposes of my right, and to give just gratitude for whatever causes and assists my existence. This right and its pursuant responsibilities have significance despite the lack of society.
As an aside, I think this conviction of mine ultimately rests on the metaphysical premise that the “I” and the “Thou” are distinct but interdependent ontological categories.
I am glad I’ve worked this out for myself–and if you’ve stuck with me thus far, please do let me know of any lacunas in my reasoning.
Great Article on angles and curves
Check out my friend Matthew Taylor’s blog article about lines and geometric forms, he is a great writer and makes some good points about mathematics and its link to divinity.
http://tankardandtable.blogspot.com/2008/12/shape-of-things-that-are.html

Paul Gautier is a dey dey
There is nothing more clear to me or any other human being: that Paul K. Gautier Jr. is indeed, and in no uncertain words, a dey dey.
Now, there are many people to whom this may sound trivial or harsh, but I can assure you that I received this information from the most reliable source, one to which you will surely give your consent that he is the most prudential and wise person, one Sexy Josh, who henceforth gave his impremator and did forthrightly advise that I promulgate this news about Paul K. “Dey Dey” Gautier Jr.
The question is the following: can a community of critics truly assist in one’s artistic endeavor. More colloquially put, does IR help or hurt?
It seems to me that the unleashed or untempered critic given the space to throw around his opinion may stifle the creative expression. How do I know when I’m stumbling across excellent poetry when, because I know the guy whose poetry I’m reading, and that I don’t care to look into this too deeply because it’s not Keats, I don’t give it breathing room to be other than breathing room. How timid this makes aspiring artists when they must stand in front of skeptical judgement.
Sed contra (see that, allusion bitches), a young artist may need exactly the kind of cold–even if unwarranted–scrutiny that will pull him out of his subjectivity, his conglomerate passions. Both yield an disjointed and discordant rythym of expression. Pulling him out of himself and into the structures of his own perception and subsequent expression, the icy blast of criticism from trusted friends could spur him to a further shedding of the old man of poetry, so apt to forget that words are not his pedastal, but his lover–if unheeded, his demon lover.
Anyway, the real question: How helpful are we being when we critique another’s works, and how can we do better?














